Showing posts with label primitive printing. Show all posts
Showing posts with label primitive printing. Show all posts

Thursday, 27 October 2016

Rubber Stamping, Get Creative with Stamps, Rollers and Other Printmaking Techniques







































At last my book's been published by Laurence King !
Nearly 2 years in the making.

Here are a few of its spreads.




Rob Ryan wrote an excellent forward for the book.






One of my favorite sections to write and make rubber stamps for, was the 'Materials, tools, and equipment' chapter. I really enjoyed carving the tool stamps, and putting down on paper all technical detail I've gleaned over the years.
























Then came the essential pages of instructions, the basics, such as how to carve a rubber stamp. Here is a spread on deduction printing, the kamikaze printing method.






Overprinting - this spread came about quite magically. I wanted to replicate the CMYK colour wheel but in an imaginative way. Bulbs seemed an ideal solution, the resulting impressions created coloured spotlights of filtered light. 








For the avairy print I made a set rubber stamps from drawings of taxidermy birds I made, with my nephew & niece, at the Bristol City Museum.





Printing on food ! Yes you can print on food, specialist printing inks are available, or why not use food dye ?
Late one night, after several failed attempts I finally mastered how to make royal icing, its the only way to create these stamped alphabet biscuits. 













Mail Art, this is something I'm really getting into, it's remarkable. After sending dozens of pieces of post out into the world, you'll receive an overwhelming response in return. Try it, you'll full in love with the process, a perfect marriage of life & art.

The work here is a record of my correspondence between the artist Jo Cook and myself. 







The last section of the book features several alternative printing methods, or what I like to call primitive printing processes. My favorite of which is Roller Printing.


I hope you like the book, do let me know what you think.

Primitive Print in the City 3

I've been so busy, that I've fallen behind on my blogging, I'm still trying to catch up with my Summer School workshops.

The last class was "Print in the City 3 " at UWE. For the last 3 years we've been running primitive print making classes in the city of Bristol. This year we were based in the MShed, a fantastic museum in the heart of the city, it's focus, Bristol.
Building on the foundations of the previous industrial museum, it holds tons of exciting machines, vehicles, huge signs and other bits and pieces in its storage depot, Eduardo Paolozzi's heaven essentially. Outside, on the harbourside you'll find more signs, and other industrial paraphernalia. An excellent place to make primitive prints.

We started off making clay prints.







































First roll out some clay on an interesting surface.








































Ink up the clay impression (using relief printing ink & roller)












And press down on paper !



 Plaster Printing 
 Using the items found in the Mshed storage depot as subject matter,



































the participants made a number of carved plaster blocks - these have been sealed with button polish.


Frottage or Creative Rubbings. 

On the last day we made a number of rubbings from a number of interesting surfaces.






For a far more detailed and delightful post on the summer school visit Lilla Duignan
blog , its brilliant ! seeingthings.me.uk/blog/?p=2779
thanks to Ruth Sidwick for the photographs. 


Tuesday, 29 March 2016

Master Class in Primitive Printmaking - University of the West of England

Back for its 3rd year, it’s the Primitive Print summer school at UWE,
it'll be great if you can make it,
here are all the details. 

Primitive Print in the City 3

LED BY: STEPHEN FOWLER
DATES: 26-27 JULY 2016
TIMES:9.30AM - 4.30PM
PRICE:£170 FULL PRICE OR £136 CONCESSIONARY RATE
INCLUDES: MATERIALS AND CATERING.
BOOK ONLINE NOW: THE ONLINE STORE

This is the third year for the primitive print summer workshop, this time we will be printing exclusively in the field, we will visit the city’s parks, riverside, streets, market, galleries and museums to collect raw materials and make prints over the two days.


This experiential course, takes Bristol as its starting point to explore a variety of ‘primitive print’ approaches, including; carved rubber stamp, root vegetable printmaking (such as yams & potatoes), clay block printing (utilising reliefs created by clay impressions of objects and surfaces), plaster printing (from hand engraved blocks of plaster) and found objects printing


  CPD wideformat course

Sunday, 18 January 2015

Rubber Stamp & Roller Printing Classes at Shepherds/Falkiner Fine Paper.

I'm pleased to announce,I've been invited to run two workshops at Shepherds, the Book Binding and Paper specialist shop based in Victoria, London.

Classes commence at 10am & finish at 4pm
each class cost £50

RUBBER STAMPING - Saturday 31st January 2015 
Tickets:http://store.bookbinding.co.uk/store/product/11875/Rubberstamping-course-31-Jan/





















ROLLER PRINTING - Saturday 28th March 2015
tickets:http://store.bookbinding.co.uk/store/product/14216/Roller-Printing-Course-28-Mar/





Wednesday, 9 July 2014

Getting ready for Primitive Printmaking.

I'm preparing for my 'Primitive Printmaking' summer school at the University of the West of England.

Part field trip/part print-room based, this experiential course takes Bristol as its starting point to explore a variety of 'primitive print' approaches, including; adapted roller printing (using carved scaffolding foam and pipe lagging), carved rubber stamp, root vegetable printmaking (such as yams & potatoes), clay block printing (utilising reliefs created by clay impressions of objects and surfaces), plaster printing (from hand engraved blocks of plaster) and creative surface rubbings from collage constructions.
The more portable printing techniques will from part of a 2-day field trip to record and collect raw material from the city's parks, river, streets, market, galleries and museums. You will be encouraged to draw areas of interest and collect artefacts and souvenirs to inspire the remaining 3 days in the print-room. 

It runs from for 5 days from 28th July to 1st August 

Researching I came across a charming British Pathe film on the great pursuit of Coal-Hole Rubbings








Page Phillips, an antiques dealer, discovered that coal hole covers could be rubbed, just like brass rubbings. M/S of a man at night with his paper and rubbing equipment. He kneels on a pavement and starts rubbing to get a print. In the day, we see Page taping cartridge paper over a coal hole cover in the pavement, and making his rubbing. In his shop we see various prints, and a woman buying one which has been made into a table mat.




And I came across a book by Mark Simmonds
take a look at it online:  Some Examples of Coal Hole Covers          
0:56
and I 






























Take a look at this book as well,